Oz


[Do góry nogami] Zwiężle, trafnie, w samo sedno. I dlatego ja się w…


Zwiężle, trafnie, w samo sedno. I dlatego ja się w Australii czuję świetnie od ponad ćwierć wieku…

noreply@blogger.com (Stary Wiarus), 2010, January 29, Friday

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9 comments on “Oz
  1. Stary Wiarus w OZ sie zadekowal i takze udeza w sedno, bo coz wiecej mu potrzeba od Australijskiego chleba? Daja tak jak w PRL-u, a w Polsce nie dla wielu. Bo tam kapitalizm sie umacnia, lecz nie dla Oz-owskiego bractwa.

    Lubię

  2. A SKETCH OF A SCENARIO FOR A MOVIE AGITATING FIRST PEOPLE OF AUSTRALIAFOR THEIR INDEPENDENCE
    Title for the movie:
    F R E E D O M F O R O Z E A N S
    SCENE I.
    Contour of Australia seen from space in black, surrounded by blue, with distinguished white boundaries o fmost strong clans, still approximately 80.
    Music: classical of Ozeans performed with didgeridoos.
    Voices: inarticulate, laud, joyous, coming from within the boundaries blinked at this occasion, thus making a cacophony of sounds and blinking sparks.
    Narrative: IT WAS THE LAND OF OZEANS BEFORE 1788.
    SCENE II.
    Contour of Australia in white with boundaries of 80 clans in black. From within these islands of clans heard weak, undistinguished, voices in languages of the clans.
    At the left, lower side of the continent an island with the name NOONGAR
    On the right, East side, an island marked CONGRESS OF OZEANS.
    Music: from low tones to high contemporary of white settlers, laud and bombasting.
    Narrative: IT IS THE LAND OF OZEANS ON THE VERGE OF EXTINCTION
    SCENE III.
    Continent of Australia covered by the 80 clans with boundaries in the shape of QUADRATES.
    Within each quadrate it is seen a TOTEM specific to each clan. On its left side name NOONGAR. At its right name CONGRESS with its EMBLEM.
    Music: soft, reconciliatory, specific to Ozeans and Settlers, over their continent surrounded by colors BLACK, EYELLOW AND RED.
    Narrative: IT IS THE LAND OF THE FIRST PEOPLE, RIGHT NOW IN 2011.
    SCENE IV.
    From the quadrate NOONGAR, does departure a charter bus with a Presidential Candidate and en route from the first quadrate to the last one he or she collects TOTEMS, as a sign of appreciation of the Candidate’s drive for presidency. It might be not excluded, that from another quadrate departs second Candidate in a competition to the Noongar’s one. One or both of them will finish the presidential tour in the CONGRESS.
    Music: embalming tones of the Australia’s and First People’s anthems.
    Narrative: PRESIDENCY DRIVE FOR OZEANS, VICTORIOUSLY ENDED.

    A PLOT FOR EXTINCTION OF NATIVES OF AUSTRALIA

    On the ground of Helping yourself: Marlo Morgan and the fabrication of indigenous wisdom, an analysis
    by Cath Ellis of Australian Literary Studies, October 2004, it becomes a necessity to summarize Ellis’
    attempt to enroll the author of Mutant Message Down Under, HarperCollins,1994 into a row of
    extraordinary liars.

    It is more than amazing that “tons” of ink has been spilled to denigrate good intention of Morgan, showing
    to the civilized world remnants of prehistoric culture, 100,000 years old.

    The analysis creates an impression as if it has been made with a purpose of putting the culture into a dust,
    even not allowing to spare a trace of existence of a tiniest nomad tribe, the Real People, in the midst of
    a desert, because hundreds of other tribes gained a just place in the welfare system of Australia,
    which enabled them to a successful competition with the rest of population, 22 million strong.

    Nevertheless the analysis becomes a witness to Morgan’s gargantuan effort in defense of her intention,
    making it visible, almost to the entire world, alluding that the Aborigines cannot be pushed into a margin of
    Australia’s society and blended in with other minorities accepting rules set forth by the continent
    discoverer, Captain Cook, and his continuators from the mighty England. In other words, putting Aborigines
    on the same wagon with others rolling over and trampling their land.

    Therefore to the small pack of Real People, as well as to their creator, Morgan, there is no need
    to pay any attention.

    Morgan’s a try to expose wisdom of savages, as they are meant by whitefellas, cannot be tolerated, as tries
    to do another fantasying author of Carpentaria, Alexis Wright of Waanyi tribe of Queensland in 2009,
    having a gut to call the fellas in biblical term “claypans”.

    A serious approach to Morgan’s lies and fantasies of Wright could cause uproar among Aborigines proud
    of their origin, not corresponding to God’s vision of a human being. Such an uproar could intensify their
    ambitions to become free and independent.

    Such a scenario cannot be taken into account, therefore Aborigines must live with their Dreams of being
    closer to Nature than the God’s claypans. No other way around.

    Thee gargantuan effort of Morgan pretty soon will be put on the same table with Wright one, for
    her fictitious scenery of imaginary Aborigines is of larger dimension than that of Morgan.

    Then the whitefellas might tell, the continent, the terra nullus, belongs to us instead of admitting, that the
    Mutant Message and Carpentaria present the real face of Australia, awakening masses that beyond
    promises a welfare bliss lurks Aborigines extinction.

    Wieslaw Czajkowski, aka Doo Warambool, May 2010

    Lubię

    • wychodźca pisze:

      Wieslaw Czajkowski :

      A SKETCH OF A SCENARIO FOR A MOVIE AGITATING FIRST PEOPLE OF AUSTRALIAFOR THEIR INDEPENDENCE
      Title for the movie:
      F R E E D O M F O R O Z E A N S
      SCENE I.
      Contour of Australia seen from space in black, surrounded by blue, with distinguished white boundaries o fmost strong clans, still approximately 80.
      Music: classical of Ozeans performed with didgeridoos.
      Voices: inarticulate, laud, joyous, coming from within the boundaries blinked at this occasion, thus making a cacophony of sounds and blinking sparks.
      Narrative: IT WAS THE LAND OF OZEANS BEFORE 1788.
      SCENE II.
      Contour of Australia in white with boundaries of 80 clans in black. From within these islands of clans heard weak, undistinguished, voices in languages of the clans.
      At the left, lower side of the continent an island with the name NOONGAR
      On the right, East side, an island marked CONGRESS OF OZEANS.
      Music: from low tones to high contemporary of white settlers, laud and bombasting.
      Narrative: IT IS THE LAND OF OZEANS ON THE VERGE OF EXTINCTION
      SCENE III.
      Continent of Australia covered by the 80 clans with boundaries in the shape of QUADRATES.
      Within each quadrate it is seen a TOTEM specific to each clan. On its left side name NOONGAR. At its right name CONGRESS with its EMBLEM.
      Music: soft, reconciliatory, specific to Ozeans and Settlers, over their continent surrounded by colors BLACK, EYELLOW AND RED.
      Narrative: IT IS THE LAND OF THE FIRST PEOPLE, RIGHT NOW IN 2011.
      SCENE IV.
      From the quadrate NOONGAR, does departure a charter bus with a Presidential Candidate and en route from the first quadrate to the last one he or she collects TOTEMS, as a sign of appreciation of the Candidate’s drive for presidency. It might be not excluded, that from another quadrate departs second Candidate in a competition to the Noongar’s one. One or both of them will finish the presidential tour in the CONGRESS.
      Music: embalming tones of the Australia’s and First People’s anthems.
      Narrative: PRESIDENCY DRIVE FOR OZEANS, VICTORIOUSLY ENDED.

      A PLOT FOR EXTINCTION OF NATIVES OF AUSTRALIA

      On the ground of Helping yourself: Marlo Morgan and the fabrication of indigenous wisdom, an analysis
      by Cath Ellis of Australian Literary Studies, October 2004, it becomes a necessity to summarize Ellis’
      attempt to enroll the author of Mutant Message Down Under, HarperCollins,1994 into a row of
      extraordinary liars.

      It is more than amazing that “tons” of ink has been spilled to denigrate good intention of Morgan, showing
      to the civilized world remnants of prehistoric culture, 100,000 years old.

      The analysis creates an impression as if it has been made with a purpose of putting the culture into a dust,
      even not allowing to spare a trace of existence of a tiniest nomad tribe, the Real People, in the midst of
      a desert, because hundreds of other tribes gained a just place in the welfare system of Australia,
      which enabled them to a successful competition with the rest of population, 22 million strong.

      Nevertheless the analysis becomes a witness to Morgan’s gargantuan effort in defense of her intention,
      making it visible, almost to the entire world, alluding that the Aborigines cannot be pushed into a margin of
      Australia’s society and blended in with other minorities accepting rules set forth by the continent
      discoverer, Captain Cook, and his continuators from the mighty England. In other words, putting Aborigines
      on the same wagon with others rolling over and trampling their land.

      Therefore to the small pack of Real People, as well as to their creator, Morgan, there is no need
      to pay any attention.

      Morgan’s a try to expose wisdom of savages, as they are meant by whitefellas, cannot be tolerated, as tries
      to do another fantasying author of Carpentaria, Alexis Wright of Waanyi tribe of Queensland in 2009,
      having a gut to call the fellas in biblical term “claypans”.

      A serious approach to Morgan’s lies and fantasies of Wright could cause uproar among Aborigines proud
      of their origin, not corresponding to God’s vision of a human being. Such an uproar could intensify their
      ambitions to become free and independent.

      Such a scenario cannot be taken into account, therefore Aborigines must live with their Dreams of being
      closer to Nature than the God’s claypans. No other way around.

      Thee gargantuan effort of Morgan pretty soon will be put on the same table with Wright one, for
      her fictitious scenery of imaginary Aborigines is of larger dimension than that of Morgan.

      Then the whitefellas might tell, the continent, the terra nullus, belongs to us instead of admitting, that the
      Mutant Message and Carpentaria present the real face of Australia, awakening masses that beyond
      promises a welfare bliss lurks Aborigines extinction.

      Wieslaw Czajkowski, aka Doo Warambool, May 2010

      Fajne, ale w US też wykończyliśmy autochtonów wietrzną ospą. Za zjedzenie przez Goplan jednego świętego Wojciecha zafundowaliśmy Krzyżaków ale nie Goplanom, ino Jaćwingom. Potem Litwini wygrali jedną bitwę pod zielonym lasem w 1410-tym, ale Prusy pozostały w rękach pruskich aż batiuszka Stalin zabrał Prusy Niemcom i podarował agentowi Wolskiemu.

      Lubię

  3. Wiarus w US, Wiarus w Oz, wreszcie gdzie sie toczy Jego woz? Czy po Polsce i jej autochtonow, czy po Rusyji i w niej Polakow na Ruskow przechszczonych? Gdzies sie zgubil, Ty, Wiarusie, w tej swiatowej zawierusze? Ja Aborygynow znam, a na Wolskiego kicham.

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  4. Na paszporcie Wolnego Miasta Krakowa w roku 1876

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